Quite a while ago, Miniac posted a video where he used a photo as the basis for a colour scheme. Others have also visited the same idea, but it’s an interesting concept and it struck me as a fun way to find interesting new colour schemes to try.

Recently, I had a background ambience video walking through a forest in a northern-hemisphere autumn, and something about the colours was very striking. The orange of the autumn leaves contrasted beautifully with the almost iridescent blue of the rocks, stone and river. The brown of the trees also looked nice, and gave me a good third colour to round out my scheme.

When it comes to picking paints, I originally expected the orange would start with a brown. But when I examined the photo more closely, I could see that the red tones are surprisingly strong amidst those leaves, so I chose to start with a dull red and shade up through orange.

For the blues I started quite dark, using a very dark blue-black as my base, and shading up to Deep Ocean (a dark teal) . This ultimately didn’t have enough contrast though, so I wound up also using a bit of Marine Teal as well just to push the highlights a bit higher. For the browns I went with a simple range of earth browns to get the colours I was looking for. This tended to be the background colour of my schemes, filling in where it made sense but not really being the focus.

Expand for detailed paints list

Orange: RMS Clotted Red (#09134), VMC Mahogany (#70846), RMS Redstone Highlight (#09225), RMS Highlight Orange (#09243)

Blue: RMS Nightmare Black (#09280), VMC Dark Sea Blue (#70898), RMS Deep Ocean (#09076), RMS Marine Teal (#09077)

Brown: RMS Dark Shadow (#09040), RMS Muddy Brown (#09028), RMS Dark Highlights (#09042)

Abbreviations: RMS is Reaper Master Series, VMC is Vallejo Model Colour

The Lizardman

The first model I tried this colour scheme out on was a lizard man figure (Degenerate Serpentfolk from Reaper Minis). I went with the blues for his scalemail armour, with the orange used for most of the trim and details. I reserved the browns for the leggings and sleeves (as well as his flesh).

I’m pretty happy with this overall combination. It’s pleasing to the eye and yet a little bit novel. While I don’t think it’s a exact match to the photo, I don’t think I would have thought of this colour scheme if I hadn’t tried this exercise – so I consider this to be a success.

The Pirate

The second model I applied this too was an old Pirate mini that’s been sitting in my backlog for quite some time. From memory he was part of a set I fished out of a bargain bin long ago.

I did end up changing the colour scheme up a bit on this one, mostly because he was wearing a ruffled poets shirt that wouldn’t look right if it wasn’t white. The mahogany went well for his coat and jacket, with the teal providing a wonderful contrast for his hat, sash and pants. The darker brown didn’t end up making it into the composition.

I did put a bit more effort into pushing the contrast with this figure, which paid off and I’m very happy with the result. It definitely helps the mini pop.

The Trooper

The last of the three minis was a sci-fi trooper figure from my pile of old Reaper Bones figures. I again chose to go with the more vibrant, higher contrast approach I went with for the pirate. Whilst that may not be the most realistic choice for a military uniform, it certainly produced a nice result. I do wonder if I could use this scheme for a StarGrave or Space Wierdos crew in the future.

This proved to be quite a fun experiment, and one I’ll probably repeat with other schemes in future. The teal and mahogany are both solid colour results that I’m sure to use in other schemes in the future, and I think I’ve learnt a bit of colour theory along the way.